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It's the story about a lazy, irreverent slacker panda, named Po, who is the biggest fan of Kung Fu around…which doesn't exactly come in handy while working every day in his family's noodle shop. Unexpectedly chosen to fulfill an ancient prophecy, Po's dreams become reality when he joins the world of Kung Fu and studies alongside his idols, the legendary Furious Five – Tigress, Crane, Mantis, Viper and Monkey – under the leadership of their guru, Master Shifu. But before they know it, the vengeful and treacherous snow leopard Tai Lung is headed their way, and it's up to Po to defend everyone from the oncoming threat. Can he turn his dreams of becoming a Kung Fu master into reality? Po puts his heart - and his girth - into the task, and the unlikely hero ultimately finds that his greatest weaknesses turn out to be his greatest strengths.
The Dragon Warrior has to clash against the savage Tai Lung as China's fate hangs in the balance: However, the Dragon Warrior mantle is supposedly mistaken to be bestowed upon an obese panda who is a tyro in martial arts.
When you watch Kung Fu Panda you can&#39;t help but wonder: why wasn&#39;t this done before? Kung fu and CGI make a terrific mix in this entertaining tale of a clumsy fat panda who becomes a true kung fu master. <br/><br/>The story in short: panda bear Po (voiced by Jack Black) is a big kung fu fan. He has all the action figures of his idols, Master Tigress, Viper, Tigress, Monkey and Mantis - also known as the Furious Five, and dreams of one day becoming a kung fu master himself. In the meantime he sells noodles. When evil leopard Tai Lung (Ian McShane) escapes from prison a Dragonwarrior is chosen to defeat him. Yes, our reluctant hero Po turns out to be the one! He gets a kung fu training from Master Shifu (Dustin Hoffman), who - after a few disastrous attempts - discovers that the only way to teach Po real kung fu is to lure him with food. But will Po be strong enough to beat Tai Lung?<br/><br/>Kung Fu Panda doesn&#39;t start with a bang. The first laughs are results from the slapstick humour. Po is a lovable creature and everyone can relate to a person who dreams of the impossible. When Tai Lung escapes you&#39;re really into the story. This particular scene is pretty spectacular. It takes place in a dark cave and the way Tai Lung jumps around really gives you the impression that he&#39;s an enemy to be reckoned with.<br/><br/>What also works in the movie is the chemistry between Po (Jack Black) and Master Shifu (Dustin Hoffman). The latter easily steals the show as the grumpy kung fu master who doesn&#39;t believe in his mission to guide Po. The scene in which Shifu has a food fight with Po is an instant classic. There&#39;s also a great action scene in which Tigress, Mantis and the others try to stop evil Tai Lung. They fail, of course… <br/><br/>And the down side? There aren&#39;t that many bad things in Kung Fu Panda. Hoffman and Black make the movie. The role of Tigress (Angelina Jolie) could have been done by many other voice actresses. Jackie Chan (Viper) only has three or four lines and that&#39;s a shame. The final fight is - at some moments - rather violent. That can scare away some of the younger (3-6 year old) kids. <br/><br/>Dreamworks wants to turn Kung Fu Panda into a Shrek like franchise. They&#39;re right. There&#39;s enough material in here to make at least two more sequels. And CGI animated kung fu kicks really work on the big screen! So let them make a Kung Fu Panda 2. As long as they keep Dustin Hoffman as Master Shifu in the story!<br/><br/>8/10
Dreamworks Animation has it very tough now a days, living forever in the shadow of Pixar. But it&#39;s been hard to feel sorry for them. In the seven years after the smash success of the movie &quot;Shrek&quot;, they&#39;ve only managed to churn out one mediocre and simplistic animated film after the other, set apart only by their top celebrity voices, and laden with kids only humor and tired pop-culture jokes. They haven&#39;t been bad per say, but when the competition is the likes of Toy Story or Finding Nemo, you start to wish they&#39;d try a little harder. Now along comes Kung Fu Panda, easily the best CGI kids film the studio has come up with. It&#39;s nothing spectacular, but it&#39;s great fun, and probably the most fun a family can have together at the movies this summer…in a movie without trash cleaning robots.<br/><br/>The trailers for this film did nothing for me, but the minute its exciting and hilarious 2D opening was done, I knew I was for in something good. The story is definitely not the movie&#39;s strong point. It tells the basic tale of Po, voiced by Jack Black, a young and very overweight Great Panda and son of a noodle salesman, who dreams of one day being a Kung Fu master and joining the ranks of his idols, The Furious Five (characters representing the five classic styles of Shaolin Kung-fu: a tiger, crane, monkey, mantis, and snake, voiced by Angelina Jolie, David Cross, Jackie Chan, Seth Rogen and Lucy Liu respectively). When a premonition warns of the escape of the evil kung fu master Tai-Lung (Ian McShane), former student of the stern sensei Master Shifu (Dustin Hoffman), it is decided that the sacred title of &quot;Dragon Warrior&quot; must be given to a brave soul in hopes of stopping him. <br/><br/>That title unsurprisingly lands on Po. As you might expect, there is a lot of doubting, and worry, until Po learns about the &quot;hero within&quot; and…well you&#39;ve seen it all before. It&#39;s very bare bones, but it&#39;s acceptable enough when the movie&#39;s strengths work so well.<br/><br/>The voices and animation are top notch thankfully. All the actors fit well with their characters (Black can do the hefty underdog routine in his sleep) and do a fine job without a hint of them phoning it in, with Hoffman and McShane as the real standout. Hoffman excels as the up tight wise man or teacher that all Kung Fu movies need, though the Furious Five have a disappointingly smaller role then it seems they should, but have some great moments as well. <br/><br/>The animation is crisp and beautiful; this film&#39;s fantasized world of ancient China really shines, and must be seen on the big screen. The animation lends itself well to the film&#39;s main attraction-the fights. You may think a PG rated kid&#39;s film might skimp on quality fights, &quot;Kung Fu&quot; in the title or not, but in this case you&#39;d be very mistaken. The fights are fast paced, thrilling, and delightfully executed (even borrowing some choreography from various well known kung fu flicks in some occasions) and for a PG movie, somewhat brutal. Nothing too serious mind you, but if you&#39;re a prude when it comes to kids and violence, beware. Neither the heroes nor the villain in this movie mess around when it comes to the fights. <br/><br/>The movie also seems to be a bit lacking in the humor department, which takes back seat to the action. It&#39;s still funny (without having to resort to Pop-culture gags even), but it really isn&#39;t the laugh a minute comedy you or your kids might be expecting.<br/><br/>The film&#39;s other strong point is its villain. Even in best children movies, a villain&#39;s motivation usually never stretches beyond &quot;because he&#39;s evil&quot;, so imagine my surprise when Kung-Fu Panda not only provides its bad guy with some well done back story and motivation, but even manages to make him a little sympathetic. There&#39;s a scene between him and Shifu near the end that contains some strong themes that&#39;ll fly over most children&#39;s heads, and is a treat to watch. As mentioned, McShane&#39;s voice is a major standout, bringing Tai Lung to life with a sneering and devilish quality. <br/><br/>The movie chickens out at the end unfortunately, in order to stay kid friendly, shying it away from greatness. While it still fails just short of the quality and heart of the Pixar films (well, it&#39;s better than Cars anyway), KFP still provides a lot of fun and thrills for kids and grown ups a like. It&#39;s a fun, simple little summer film that any family should look into, especially if you happen to be raising little kung-fu fans of your own.
Perfectly pleasant, very good-looking, modestly funny, dispiritingly unoriginal variant on the nerd-with-a-dream recipe that's been clobbered to death in animated films for at least a decade now.
Qoniáng tried to poke the crane&#39;s body, but the crane dodged backwards and struck the stick with its beak.<br/><br/>From then on, Qoniáng carefully studied the movements of cranes and combined these movements with the martial arts she learned from her father, creating the White Crane Kung Fu style of Fujian Province.<br/><br/>The Ancestral Crane master Dr. Yang, Jwing-Ming dates the creation of Fujian White Crane to c. 1700.<br/><br/>According to the traditions of the Lee family branch of Flying Crane, Fong Qoniáng was born in the mid-18th century.<br/><br/>According to its traditions, the lineage of the Ong Gong Shr Wushuguan in the town of Yongchun (Minnan: Eng Chhun) in the prefecture of Quanzhou in Fujian Province was established when Fong Qoniáng taught its founders during the reign of the Ming emperor Jiozhèng . However, there was no Ming emperor Jiozhèng; there was a Ming emperor Jiojìng, who ruled from 1521 to 1566.<br/><br/>Li Wénmào, a historically verifiable opera performer and leader in the 18541855 Red Turban Rebellion in Foshan, is said to have practiced the Yongchun style of White Crane Kung Fu.<br/><br/>The Xu-Xi Dao style of White Crane Kung Fu derives from Zhong-Ho &quot;Springing Crane&quot; and was developed in Taiwan by Huang Lao-Yang in the 1950s.&quot;<br/><br/>Monkey Kung Fu (Monkey): &quot;Monkey Kung Fu is a Chinese martial art where the movements imitate monkeys or apes in fighting. One of the more acrobatic kung fu styles, movements often include falling, lunging, grabbing, jumping, and tumbling. The staff features prominently in its weapons training, with practitioners using it for attack, defense, and even climbing it like a pole to gain height in combat. The flamboyant movements and sometimes comic actions of the monkey style has made it a popular subject in martial arts movies.<br/><br/>Monkey Kung Fu can be traced back to the Han dynasty and is recorded in the Mi Hou Wu dance performed at the Emperor&#39;s court. Contrary to popular beliefs, there are actually a number of independently developed systems of Monkey Kung Fu. Examples includes Xingzhemen named after the protagonist Sun Wukong of the popular Ming dynasty novel Journey to the West, Nanhouquan or Southern Monkey Kung Fu originating from the Southern Shaolin Temple as well as the more well known Tai Sheng Pek Kwar Moon style of Hong Kong. The Houquan style from the Emei region, taught by the famous Monkey King and others, was also used as the basis for the modern wushu variant of Monkey Style Kung Fu that is often seen in demonstrations and competitions today. Each independent style has its own unique approach to the expression of how to incorporate a monkey&#39;s movements into fighting.<br/><br/>Traditional Monkey Kung Fu as taught in Mainland China includes running on all fours (i.e. the hands and feet), various difficult acrobatic movements such as flipping sideways in the air, front flips, back flips, back handsprings, hand stands, walking on the hands, forward lunges/dives, backward lunges, spinning on the butt, spinning on the back and many kicks and strikes. Most of the attacks are aimed at the knees, groin area, throat or eyes of the opponent and hand strikes are normally either open handed slaps or clawing with a semi-closed fist called the monkey claw. A wide array of facial monkey expressions are also practiced, inclusive of happiness, anger, fear, fright, confusion and bewilderment etc. Except for very brief periods, most movements inclusive of running are executed from either a squatting or semi-squatting position and are normally accompanied by very swift and &quot;jerky&quot; head movements as the practitioner nervously looks around.<br/><br/>There are six variations of Monkey Kung Fu developed as part of the Tai Sheng Men system:<br/><br/>Drunken Monkey uses a lot of throat, eye and groin strikes as well as tumbling and falling techniques. It incorporates a lot of false steps to give the appearance it is defenseless and uses a lot of off balance strikes. The practitioner waddles, takes very faltering steps and sometimes fall to the ground and lies prone while waiting the opponent to approach at which time a devastating attack is launched at the knees or groin areas of the opponent. In Drunken Monkey you use more internal energy than any other. It is one of the most difficult of the monkey styles to master and also the most powerful.<br/><br/>Stone Monkey is a physical style. The practitioner trains up his body to exchange blows with the opponent - Stone Monkey uses a kind of Iron body method. It will leave an area exposed on its body for an opponent to attack, so it can attack a more vital spot on the body.<br/><br/>Lost Monkey feigns a lot. He gives the appearance of being lost and confused to deceive the opponent into underestimating his abilities, and he retaliates when least expected. The hands and footwork change and flow from each other at will.<br/><br/>Standing Monkey or Tall Monkey is a relatively conventional Monkey Style that likes to keep an upright position and avoid tumbling around. This style is more suited for tall people. Tall Monkey likes to climb body limbs to make attacks at pressure points. It is a long range style.<br/><br/>Crafty Monkey is very deceptive, it uses different faked emotions to lure opponents into attacking. By pretending to be scared for example it lulls the opponent into a false sense of security and waits for the opponents guard to be down, then suddenly attacks when not expected.
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